Category: Classical

Agnus Dei - Fauré*, Daniel Barenboim, Sheila Armstrong, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre De Paris, Henriette Puig-Roget - Requiem (Vinyl, LP)

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8 thoughts on “ Agnus Dei - Fauré*, Daniel Barenboim, Sheila Armstrong, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre De Paris, Henriette Puig-Roget - Requiem (Vinyl, LP) ”

  1. Jul 30,  · 50+ videos Play all Mix - Fauré's Requiem Part 5 - Agnus Dei - Alto Chorus Rehearsal Aid YouTube Fauré's Requiem Part 2 - Offertoire - Alto Chorus Rehearsal Aid - Duration: Chord Perfect.
  2. by Sheila Armstrong/Dietrich Fischer-Dieskau/Edinburgh Festival Chorus/Orchestre de Paris/Daniel Barenboim/Henriette Puig-Roget Requiem, Op ( - /5(13).
  3. Other inventories +. Inv. Nuevas Adquisiciones (iniciado en ). Núm. Autor: Zurbarán, Francisco de / Título: Carnero pequeño /Tipo de obra: pintura / Medidas: 0, x 0, / Técnica/soporte: óleo sobre lienzo / Nº de Catálogo: / Adquirido por el Estado por derecho de tanteo a Durán, sala de arte y subastas (subasta nº , lote 47, febrero ) en .
  4. Requiem in D Minor, Op. V. Agnus Dei (Andante - Molto largo) By Gabriel Fauré Daniel Barenboim, Edinburgh Festival Chorus, Henriette Puig-Roget & Orchestre De Paris 5.
  5. Jul 16,  · Fauré*, Daniel Barenboim, Sheila Armstrong, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre De Paris, Henriette Puig-Roget: Fauré*, Daniel Barenboim, Sheila Armstrong, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre De Paris, Henriette Puig-Roget - Requiem ‎ (LP) His Master's Voice: SXLP /5(5).
  6. The French composer Gabriel Fauré (–) wrote in many genres, including songs, chamber music, orchestral pieces, and choral works. His compositions for piano, written between the s and the s, include some of his best known works. Fauré's major sets of piano works are thirteen nocturnes, thirteen barcarolles, six impromptus, and four valses-caprices.
  7. May 17,  · Fauré wasn’t a composer I’d heard much about before I discovered “Agnus Dei” (lamb of God) from his Requiem. I was impressed by the stately procession of mini-movements within the piece; the unexpected transitions in mood and the way the melody twists through major and minor crescendos, making the choir of singers appear to be on a perilous journey with a .

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